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Renoir Basic Art

Renoir Basic Art

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ISBN:

3822863289

Ilustracija:

Da - u boji

Izdavač:

Dostupnost:

rasprodano

Šifra:

V0075

Broj strana:

95

Težina:

243 g

Cijena:

Dostupnost: Na stanju

22,23 KM
rasprodano

Kategorije:

Sadržaj:

Auguste Renoir (1841-1919) represented by far, one the lofty painters of the second half of the XIX Century. His enslaving talent allowed to make a true sweep through the most diverse tendencies. His visible influences received from Courbet, Van Gogh and Delacroix, did not leave on him, a perennial trace. The presence of Cezanne and Monet irrupted strongly in the necessity of rejecting the conservative patterns and raid in new stylistic proposals. He was not only a notable Realist artist but also crossed the Impressionist threshold, in an untiring process of self renovation and fervent conveyance.

Pierre Auguste Renoir (1841-1919) is now universally acclaimed: museums pride themselves on his paintings, crowds flock to his retrospectives. His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. I like pictures which make me want to wander through them when its a landscape, he said, or pass my hand over breast or back if its a woman.

Renoirs entire oeuvre is dominated by the depiction of women. Again and again he painted these faunesses with their pouting lips (Mallarme) and invented a new image of feminity.

  • Originalni naziv: Renoir Basic AB
  • Edicija: Basic Art
  • Izdanje: 0
  • Godina: 2000
  • Jezik: Engleski jezik
  • Vrsta uveza: Meki uvez
  • Pismo: Latinica
  • Veličina: 230x185
  • Zemlja porijekla: Njemačka
  • Stanje: Nova

Detalji

Auguste Renoir (1841-1919) represented by far, one the lofty painters of the second half of the XIX Century. His enslaving talent allowed to make a true sweep through the most diverse tendencies. His visible influences received from Courbet, Van Gogh and Delacroix, did not leave on him, a perennial trace. The presence of Cezanne and Monet irrupted strongly in the necessity of rejecting the conservative patterns and raid in new stylistic proposals. He was not only a notable Realist artist but also crossed the Impressionist threshold, in an untiring process of self renovation and fervent conveyance. Pierre Auguste Renoir (1841-1919) is now universally acclaimed: museums pride themselves on his paintings, crowds flock to his retrospectives. His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. I like pictures which make me want to wander through them when its a landscape, he said, or pass my hand over breast or back if its a woman. Renoirs entire oeuvre is dominated by the depiction of women. Again and again he painted these faunesses with their pouting lips (Mallarme) and invented a new image of feminity.

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