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Lichtenstein Basic Art

Lichtenstein Basic Art

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ISBN:

3822858609

Ilustracija:

Da - u boji

Izdavač:

Dostupnost:

rasprodano

Šifra:

V0055

Broj strana:

96

Težina:

243 g

Cijena:

Dostupnost: Na stanju

22,23 KM
rasprodano

Kategorije:

Sadržaj:

This is book is part of Taschens Basic Art series, and is a nice overview of Lichtenstein with some really nice images of his paintings.

In the late 50s and 60s, American painter Roy Lichtenstein (1923-1997) became one of the most important exponents of Pop Art - that movement which transformed products of mass consumption and the entertainment industry into subjects for art. This apotheosis of banal, everyday objects simultaneously constituted a criticism of the traditional elitist understanding of art.

Almost alone among artists, Lichtenstein pursued the question of how an image becomes a work of art. Wholly in keeping with the spirit of the Classical Modern, he held that it was not the rank of the pictures subject that lends the picture its artistic character, but rather the artists formal treatment of it. To Lichtenstein, however, this position seemed far too broad to be seriously pursued.

Developed in the early 60s, Lichtensteins grid technique, with its allusion to the mass-production of graphic art, allowed the painter to give vent to his own artistic scepticism. In the 60s and 70s, Lichtenstein expanded his formal repertoire of techniques for creating distance and irony by means of an idiosyncratic process of abstraction and especially by his use of his numerous art quotations.

  • Originalni naziv: Lichtenstein Basic AB...
  • Edicija: Basic Art
  • Izdanje: 0
  • Godina: 2000
  • Jezik: Engleski jezik
  • Vrsta uveza: Meki uvez
  • Pismo: Latinica
  • Veličina: 230x185
  • Zemlja porijekla: Njemačka
  • Stanje: Nova

Detalji

This is book is part of Taschens Basic Art series, and is a nice overview of Lichtenstein with some really nice images of his paintings. In the late 50s and 60s, American painter Roy Lichtenstein (1923-1997) became one of the most important exponents of Pop Art - that movement which transformed products of mass consumption and the entertainment industry into subjects for art. This apotheosis of banal, everyday objects simultaneously constituted a criticism of the traditional elitist understanding of art. Almost alone among artists, Lichtenstein pursued the question of how an image becomes a work of art. Wholly in keeping with the spirit of the Classical Modern, he held that it was not the rank of the pictures subject that lends the picture its artistic character, but rather the artists formal treatment of it. To Lichtenstein, however, this position seemed far too broad to be seriously pursued. Developed in the early 60s, Lichtensteins grid technique, with its allusion to the mass-production of graphic art, allowed the painter to give vent to his own artistic scepticism. In the 60s and 70s, Lichtenstein expanded his formal repertoire of techniques for creating distance and irony by means of an idiosyncratic process of abstraction and especially by his use of his numerous art quotations.

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